At least there are two most common ways of playing a musical instrument Angklung, by digatarkan and beaten (pronounced dotted or centok). Here are presented bberapa techniques that can be used to play Angklung well.
thrilling Angklung

Angklung pronounced with a long vibrated according to the tone being played.

End-sounding break up, Beaten (Centok)

Angklung not vibrated, but hit end of the tube bottom (horizontal) by the palm of his right hand to produce centok (like the sound of blows). It is useful to play short tunes like Pizzicato musical mark.

Tengkep

Angklung pronounced with a long vibrated according to the tone being played, but not as usual tube is closed by one of his little finger left hand so it does not sound (which sounds just great yng tubes only). It is intended to be generated within their more subtle tone for the music to be played (eg to mark the dynamics of the piano).

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As presented by the teacher Mr. Daeng Soetigna diatonic angklung, then it is advisable to ring tone Angklung in disconnected. This dilkukan with the technique as follows: if there are two notes that are played consecutively, then connect it to sound a tone that sounded a little longer the first rung of the value of his tone, so that when the second tone starts playing, the first note was still ringing a little, so that the sound tone sound disconnected and not broken.

Dynamics (loud and soft)

Suit the needs of the song, angklung can be played softly (piano) on loud (forte). Recommended for both types of dynamics should be the frequency of vibrations per second angklung remained the same in number, while different is the distance by a right-handed swing angklung which in turn will determine the amplitude of vibration and cause hard or soft tone that is played.

How to Play the Melody and Akompanyemen Angklung

How to play Angklung Angklung akompanyemen intended for melody. Besides angklung melody, there is angklung akompanyemen consisting of chord tones. Angklung is played according to chord songs, and can be played in two ways, namely vibrated and ditengkep.

To play the Angklung akompanyemen technique with a method centok (o'clock), it can be done together with less bass instrument (like a cello can be stringed bass / fiddle with the large size) or bass o'clock (from the tube angklung very large). The technique follows the pattern of rhythmic play songs such as poila waltz (0 XX) or Mars (0x 0x 0x 0x), with captions 0 to play the bass and X to play Angklung akompanyemen.

As a side note, most major akompanyemen Angklung consists of four tubes with included tone septime (7) her, so if dibutuhkn to play a major chord then the pure tone septimenya should not be played (ditengkep) as required track.

Angklung Angklung co-akompanyemen is akompanymen with the composition of tones an octave higher. Usually this Angklung played Meandering akompanyemen or simultaneously with angklung akompanyemen, or played specifically to certain types of music such as keroncong.